The Boston Globe
"...a wildly entertaining look at the sometimes blurry lines between genders."

"[Craig] Houk as True (and, in the play-within-the play, as the Countess) shows incredible range. He delivers his Countess like a snippy, vengeful Dame Edna in a corset that has been laced too tightly. But he is also completely convincing as the womanizing, moonshine-sipping True."

"As the henpecked husband, [Chris] Wagner helps keep 'Lady' from tipping into pure silliness."

The Boston Globe
"As the butch Marlene Dietrich-like director Zina, Crystal Lisbon steals nearly every scene she appears in, while Lisa Caron Driscoll brings exactly the right amount of disdain and righteousness to her skeptical, Satan-scorning Dorothy."

"[Greg] Maraio’s fey Casper is a wonder to behold."

“Act a Lady has an infectious energy that takes hold during the first scene ... and that energy seldom relents."

The Boston Herald
"...a rare blend of big ideas and pure silliness."

"Act a Lady is all about the funny, and director Darren Evans and his ensemble totally know how to make that sing."

TheaterMirror
"Director Darren Evans gets fine performances all around: from Lisa Caron Driscoll as the deadpan, disapproving wife (whose song about high-buttoned shoes is deliciously horrid) to Chelsea Schmidt as the spacey make-up artist, smitten with [Craig] Houk’s alter ego."

"Greg Maraio in one of Eric Propp’s Victorian gowns doesn’t even need a script. Sighing, screaming, panting or “eluding,” Maraio is a show stopper."

"..the real point of Act a Lady is the sensational drag: The TOF queens make it worth the visit."